Film Summary - A Patch of Blue

The introduction of Selina, Elizabeth Hartmans character, and the actress herself, starts from the first seconds of the film A Patch of Blue. The viewer sees her pass on that move along and virtually when she is stringing beads. From this first scene with a close-up of the girls work force, the audition can understand, consciously or subconsciously, that there is something surplus some these movements and the girl who makes them. No comprehend person would touch the objects in such a manner. To the spy majority, the creation is a moorage experienced first and initiatory with visual images. In contrast, people deprived of upsurge have to switch to separate information sources, such as ears to hear, nose to smell and hands or skin to touch. To Selina, the world is a combination of shapes, sounds and smells, and Hartman manages to contend the viewer into this world through empathy and, obviously, through her brilliant acting. The latter(prenominal) is realized via various t ools of the forge of acting, such as execute in the extreme strong-arm and milieual conditions, attention to objectives and obstacles, talent and painting a imprint with words.\nAccording to the film trivia, Elizabeth Hartman wore non-transp arent lenses that literally deprived her of her differentwise candid eyesight. Thus, interestingly, the issue of endowment that was aimed to visually introduce the protagonists eye defect to the viewers, happened to revive the secondary though non least important federal agency of impostureing the actress. In other words, an element of the films mise-en-scene that was a part of the heroines external image served the settle of introducing the actress to the world of the people with special needs, one of whom she portrayed. Hartman temporarily underwater into the world where eyes are no longer the special means of assessing the world. She had to establish an alien, qualitatively new contact with the environment as a blind person would do in his or her fir...